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Tuesday, November 07, 2006


A New Way To Get Your Hits

#1 Hits is devoted to uncovering the best music every single day. There's so many tracks from so many great new bands coming at you all, and it occurred to me that it might be nice to have somewhere to put these samples. So, I'm introducing bimonthy mix-cd covers (with patented track orders!). Simply right-click (images may need to be increased in size), save-as, cut out, fold in half and tape/glue/whatever and you have your very own #1 Hits sleeve! These cd sleeves will also be posted on the sidebar shortly. Let me know if you all like (or dislike) this idea so that I know if I should continue it or not!


A note to clutch to your breast and treasure:

Added today to my blogroll is a link to the website Independent Clauses, a new partner of #1 Hits From Another Planet. Each month reviews from my website will be featured on Independent Clauses and I will be writing a short monthly column as well, including some of my favorite musical finds. make sure to check it out! In addition to music and gig reviews there are contests, editorials, and other special columns.

EFFETE - HAVE IT ALL


“Give me long legs and that face of yours"

As I bite my nails off over this damn U.S. election tonight (you should have seen me two years ago), I thought I'd post a really fun synth-pop track with the hope that it will distract my ears. Despite choosing Effete as their band name, the band's sound isn't worn out at all. Have It All is a strong synth-pop/dance track with a great beat (think West End Girls on speed) and vocals that at times conjure up the glorious Marie Fredriksson from Roxette (though Marie would never sound so sharply punky on those choruses). Come to think of it, the character behind this song might as well be the one from Roxette's Dressed For Success, yet with no interest in working to get ahead. Instead of dressing for success, they'll get plastic surgery... if that made a speck of sense at all. I told you I'm distracted by all this political mish mash! Just enjoy the music because I'm bringing the 80's back today!

(Music posted for evaluation purposes only. If you like what you hear, support the artists! No album yet, but you can hear more here.)

TV From Another Planet: Day Two

Jack & Bobby



Premise: Follows the childhood of a boy destined to become the greatest American President of all time… flash-forwards hint at future events while the emphasis is on what shaped the kid into such an important figure.

Why it rocked: A better question is… why couldn’t the country see how extremely fantastic this little show was? One of the most intelligent, moving and well-written (and acted) shows to ever grace television screens (especially those tuned into the WB), Jack & Bobby impressed me each week with its depth, topical relevance and deep convictions that not everything has to be wrapped up in a neat little package at the end of each episode. One of the few shows to actually bring me to tears at the end of pretty much every episode, this show impassioned me so much that I headed a Save Jack & Bobby campaign when it appeared that the show would be cancelled. This was the first and only time I’ve ever been prompted to do something like that. The bulk of the credit (besides the inspiringly good writing, of course) goes to the trio of Christine Lahti, Logan Lerman, and Matt Long, delivering three of the greatest performances I’ve ever seen as an unconventional, deeply flawed yet inspiring family. No show has depicted the connection between two brothers better than this one. It’s hard to explain why I love this show so much (it is my #1 show of all time)… better to just watch it and get that “wow” feeling yourself.

More Information
Buy It (Unfortunately, you can’t - studios haven’t released it yet - but I do have all the episodes on DVD)

Trailer



A heated argument between Jack and Grace (not many videos online for this show… wish I could have found a different one with Bobby in it as well, but this one’s still good)

Monday, November 06, 2006

Video Premiere: Lamont - Rather Do It

Now here's how you make a music video! Lamont have been a #1 Hits favorite for a while now, and the video for their newest single is just icing on the cake. Kristofer's performance is very Ola Salo (who coincidentally produced this song) and the costumes/dancing/general weirdness is completely refreshing. This video actually reminds me of the delightfully campy promos for Abba's Waterloo and Ring Ring.

TALLY HALL - GOOD DAY

“I'd like to say hello and welcome you, good day, that is my name"

I thought the above picture was approriate today, as the pacific Northwest (where I live) is flooding like no other after days of rain. Sigh, fall/winter is here. Moving on to the song, don't let the fellows' colorful accountant look full you. Good Day is one of the most alive tracks I've heard in a long time. It would fit in no problem on Queen's Night At The Opera. That'll pretty much tell you all you need to know. Freddie Mercury would be proud (especially at the 2:20 mark, where the song completely changes - one of many stylistic shifts). At some times the singing actually sounds eerily like Mercury. Most importantly, it's not like nothing else out there today, yet it's a sound that I think a lot of bands are currently striving for. Insanely catchy and continually inventive, who knew music this good was still coming from the States?

Tally Hall - Good Day

(Music posted for evaluation purposes only. If you like what you hear, support the artists! Buy the album here.)

TV From Another Planet: Day One

Dead Like Me



Premise: Girl gets killed by fallen space-station toilet seat… becomes a grim reaper… takes souls for a living… discovers that they afterlife is a lot harder than advertised.

Why it rocked: Other than being one of the funniest (and at times most touching) shows of recent years, Dead Like Me was all about two things: characters and moments. First the characters: English low-life Mason (Callum Blue); terminally grumpy meter maid Roxy (Jasmine Guy); delusional actress Daisy (Laura Harris); and, my personal favorite… temp agency boss Dolores Herbig (“as in, her big brown eyes”). But, it’s through the intelligently sarcastic eyes of George Lass (Ellen Muth), the show’s unlikely protagonist, that everything comes together. The acting is top notch (not only from these characters but by the entire cast) and the show layers so many unforgettable, character-driven yet absolutely jaw-dropping moments, one on top of the other. Each episode is life-affirming yet in no way schmaltzy. One of the most original shows I’ve ever seen. I’ve yet to have anybody not become hooked after the first episode. The show may have only lasted two seasons, but it was one of the all time best to ever be put on the air.

More Information
Buy It

Season One Trailer


The infamous “pap” scene - comic genious

Sunday, November 05, 2006

#1 Hits isn’t exclusively devoted to music. Of course, new exciting music will always be the focus, but starting on Monday I’m going to delve into TV a bit. I could of course tell you that the Simpsons, Buffy and Malcom In The Middle reign supreme, that Nip/Tuck is the best show on TV right now and that Heroes is the only new series worth watching this season, but I intend to focus instead on five shows that were yanked off the air too soon. All five are (quite literally - well, literally if you’re an obsessed fan like me) life-changing, A+ series. In addition to regular posts I’ll give an overview of my top shows that have unfortunately been jettisoned to another planet. I guess some things are just too good for their time…
Video Premiere: Melody Club - Destiny Calling

Much more simple and performance oriented than I was expecting. Not my favorite Melody Club video (check out the wonderfully surreal Baby for that), but it's definitely a step up from Wildhearts (lord do I hate concert videos). The colors are great and it highlights the pop simplicity of the song. Plus, it's great to see Nicko from The Mo in action again (minus the spiked hair, though).

GOOD HEART BOUTIQUE - GIVE A CRY

“I was afraid you wouldn't turn up"

Ready for two minutes, thirty-five seconds of absolute bubblegum rock? Germany's Good Heart Boutique (love the name) have created an absolute disease of a song - so incredibly catchy and punchy that it'll knock you flat. Even the shrill scream that happens at about the 1:19 mark (think the horror of Agnetha's shriek in Abba's The King Kong Song - for those who know what I'm talking about) doesn't distract from the giddiness. In fact, I'll go out on a limb and compare this song to Abba doing a bit of punk rock. You're gonna like it, even if you try not to.

Good Heart Boutique - Give A Cry

(Music posted for evaluation purposes only. If you like what you hear, support the artists! Buy the album here.)

Ezra Reich - Milkshake Arcade
Release Date: October 16th, 2006 (itunes only)




Taking one look at the cover of Ezra Reich’s new album Milkshake Arcade, it’s clear that the artist is going for a classic pop sound. But, while pink milkshakes may immediately conjure up the thought of sixties soda fountains, the album itself is concerned with a later generation’s pop nostalgia: late-seventies new wave.

Much of Milkshake Arcade sounds like David Bowie in his Thin White Duke period covering tunes from the Cars. It’s a winning formula, with songs like the opener Supergirl (My Daughter) and The Answer floating along effortlessly on breathy come-ons and stabbing pop/funk guitar. Tracks like these, and the delicious doo-wop of Walking In Circles, put most of today’s ubiquitous second-generation new wave acts to shame. Not everything works so well (Got 2 Me and On And On succumb to their clever sounds and forget to present a worthy melody), but the majority of the album is strong. Not only that, but it feels very authentic. Step back in time twenty-five years and these songs would fit in just fine. Inside The Box and I Need A Moment Alone, in particular, sound like long lost classics.

Much of the credit goes to Reich’s vocal performance… a mix of classic rock attitude and throaty cabaret. Even when the songs don’t quite measure up, Reich is always captivating. The same can certainly be said for Milkshake Arcade. It takes a revivalist trend that’s so completely dominant at this point in history and stretches it until it sounds like nothing else out there right now. B

Key Tracks: Supergirl (My Daughter), Walking In Circles, Inside The Box
VIDEO PREMIERE: Scissor Sisters - Land Of A Thousand Words

The video's finally here! Quite elegant... and I don't think the film credits idea has ever really been done before. They obviously took their "James Bond theme" description of the song literally. Lots of people seem to balk at the idea of this song as a single, but I think it sounds like an instant classic (much like the album it comes from).


Shawn Colvin - These Four Walls
Release Date: September 12, 2006
Label: Nonesuch




Grammy-winner Shawn Colvin is best known for her late nineties hit Sunny Came Home, the kind of song that is all but dead on modern mainstream radio: the product of an artist rather than a crack team of songwriters, completely stripped down yet transformed into a hit despite itself. Much of Colvin’s new album follows suit. It has a distinguished intimacy and, although unlikely to produce any hits on the scale of Sunny, it’s a pleasant listen.

Therein lies both the album’s strength and its weakness. Colvin’s voice and songwriting are in fine form and she chooses a pair of covers wisely (especially the Bee Gees' Words, which closes the album). These Four Walls also opens with a winning trifecta of songs, highlighted most notably by Tuff Kid, a nostalgic sing-along that, more than anything else on the album, allows Colvin to show some personality and versatility in sound. The rest of Walls, especially the latter portion, doesn’t stray too far from the kind of light folk-pop that artists like Jewel and Paula Cole rode to success during their Lilith Fair years. It’s all very pretty and makes fine background music for an evening in, but it’s not as surprising or lyrically probing as Colvin has been in the past.

Still, that doesn’t mean that These Four Walls is a bad album. In fact, in some ways the best aspect of the record is that it doesn’t push to be something new and different. It feels very personal, a record that Colvin made for herself and her fans before even contemplating radio play and music videos. This alone will make it stand out, even if the music isn’t always as engaging as it could be. B-

Key Tracks: Tuff Kid, Fill Me Up, These Four Walls

Saturday, November 04, 2006

THE PAPER FACES - BREAKIN' UP


“It scares me so that I can do without your love"

I posted the track Disco Boy by The Paper Faces during the first months of this site's inception. Since then, the song's become a hit on Swedish radio and the band has gone on to release their first ep. I like to think I had a little something to do with that (aren't delusions of granduer great?). Anyway, their new song has just been released and, although it's not in the exact same vain as Disco Boy, it's an equally catchy follow-up. The band meld a healthy dose of Swedish pop with some 60's elements (as well as a strong new wave influence). The piano in particular adds a little something special to this song. Sort of like a strange amalgamation between McFly, Melody Club and The Rolling Stones.

The Paper Faces - Breakin' Up

(Music posted for evaluation purposes only. If you like what you hear, support the artists! Buy the album here.)

Ella Rouge - Ella Rouge
Release Date: October 26, 2005
Label: Moby Dick

Ella Rouge’s debut fades in with a spacey synthesizer line reminiscent of the Who’s Baba O’Riley, which quickly transforms into the mini prog-rock sing-along That’s Me With The Gun. As album openers go, they really couldn’t have done much better. Ella Rouge wears its seventies influences on its sleeve. And why not? Lead singer Ludvig Anderson is the son of Benny Anderson, one fourth of Abba, one of the biggest seventies groups of all time.

Ella Rouge revel in the classic piano rock of vintage Billy Joel and Supertramp. They’re at their best delivering songs like Eldorado High and Jekyll N Hyde, pop-rockers with the kind of indelible melodies that would make them hits in any generation. Similarly, L.A. Dogs sounds like Rob Thomas at his funkiest and Light The Fuses 82’s is an anthem in waiting. Like their inspirations, Ella Rouge have a softer side as well. Some of these moments work brilliantly (the old fashioned power ballads Famous Jack and Holly Golightly), while some do nothing more than slow down the band’s momentum (Manhatten and Gender Jaded).

With limp bands like Five For Fighting and The Fray currently locking up the radio, Ella Rouge should take their place as the rightful superior in this trend of piano rock. While the album isn’t perfect (a different -and tad shorter- running order would take care of that), it does herald the arrival of a band with limitless potential, a band who realizes the importance of classic pop melody. And, in these times of blippy catchphrase songwriting, sometimes that’s all it takes. B+

Key Tracks: Eldorado High, That’s Me With The Gun, Jekyll N Hyde

Friday, November 03, 2006

LASH - HEAD


“I cannot have your feelings"

Lash hail from Gothenburg, Sweden (the city I first saw the glorious Ark in this past spring) and specialize in melodic, elegant pop music. They don't have an album out yet but instead have released five eps (one of them released just last week, actually). Head is from their first release and proves to be quite the pop/rock workout. I must admit the lyrics above are a bit of a crap shoot, as it's hard to understand exactly what Andreas is singing. Whatever it is, it sounds great... whether it's dirty or clean or whatever! Plus, one of the best promo shots I've seen above... gotta love it when bands put a bit of effort into posing!

Lash - Head

(Music posted for evaluation purposes only. If you like what you hear, support the artists! Buy the album here.)

Thursday, November 02, 2006

ELLA ROUGE - ELDORADO HIGH

“Eldorado high, won't you let me linger"

Ella Rouge are a new band from Sweden who seem to love the seventies. This is, of course, wonderful... as their music is carved from similar territory as England's The Feeling. Lead singer Ludvig Andersson is the son of Abba's Benny Anderson, but don't expect the music to sound the same (though that definitely wouldn't be a bad thing). Eldorado High (though strongly mimicking Robbie Williams' Jesus In A Camper Van in the verses) is pure rock and roll nostalgia. With a soaring chorus and catchy piano refrain, it will linger with you for a long time. Expect an in-depth review of the band's debut album soon.

(Music posted for evaluation purposes only. If you like what you hear, support the artists! Buy the album here.)

Wednesday, November 01, 2006

Meat Loaf - Bat Out Of Hell III - The Monster Is Loose
Release Date: October 31, 2006
Label: Virgin Records



Meat Loaf returns fourteen years after the second installment of the Bat Out Of Hell Trilogy with the grand finale. And, I’m saddened to report that The Monster Is Loose is more akin to The Matrix: Revolutions than The Return Of The King. After two stunning rock/schlock operas, Mr. Loaf seems to have lost the plot.

The record begins with enough epic flourishes to hint that great things are ahead. The opening title track is a nice stab at bringing Meat Loaf’s trademark fist-pumping rock into the new millennium. But, things quickly veer off from there. Whereas the first two parts of the trilogy masterfully hedged the line between “kewl” and “annoying,” the majority of Monster ends up being pretty obnoxious. Lowlights include a dreary cover of the Steinman-penned It’s All Coming Back To Me Now (I hate to say it, but Celine’s version positively lords over this new one) and ridiculous tracks like Blind As A Bat and In The Land Of The Pig, The Butcher Is King (from an aborted Batman musical - aborted for a reason). These songs are at least memorable. Most of Monster is completely forgettable, a feat that actually deserves some praise given the overblown kitchen-sink production and endless running times.

The record improves toward the end, with the gothic Monstro segueing into the Elton-boogie/choral orgy of Alive, the album’s best song. But, it’s not nearly enough to kick some life into Monster’s indifferent finale. Perhaps he’ll find another project befitting his unique talents and recapture some of the glory of his past works, but Monster isn’t it. Throw it out, this Meat Loaf’s stale. C-

Key Tracks: Alive, The Monster Is Loose, Monstro
I've decided to test out a new #1 Hits feature today. My thinking is that it would be great to know which songs/artists are most popular with my readers. That way I can make sure I keep posting things that people are actually interested in! Plus, it will be fun to see which song "wins" each week. This may crash and burn and become irrelevant, but please vote for your favorite track of the week (for last week) and we'll see if it catches on!
Track of the Week (Oct. 22nd-28th)
Free polls from Pollhost.com

THE CAR IS ON FIRE - CAN'T COOK (WHO CARES?)

“Don't make me wait for so long"

Introducing the first Polish band to be featured on this site. And, they're a good one, too. The Car Is On Fire's new single is the kind of breezy electronic/acoustic number that manages to be at once danceable and chill-out. It's a simple song but builds towards the end to become more and more anthematic. The band's about to release its second album on November 17th in Europe and (hopefully) around the world soon after. And, judging from the promo picture, the song's success is even more startling from a band with no heads.

(Music posted for evaluation purposes only. If you like what you hear, support the artists! Buy the album here.)