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Monday, December 14, 2015

Top 50 Singles of 2015: 50-46

50. Darin - Ta Mig Tillbaka



A gentle, nostalgic ode to childhood that ushered in Darin's new mature sound. Not the flashiest track on the countdown, but one with a lot of staying power.

49. Brown Eyed Girls - Brave New World



At first you'll mistake it for some bizarro reinterpretation of Michael Jackson's Don't Stop Til You Get Enough, but then it just gets trippier and you're not quite sure what it is you're hearing.

48. Brandon Flowers - Lonely Town



The most majestic track on Brandon's brilliant second album, it's best paired with the hypnotic, moody 80's video. That hook is everything.

47. Emil Berg - Du Swipa Höger 



A left-field Euro-dance anthem, with one of the most irresistible beats of the year. It's the kind of debut that sets the bar impossibly high.

46. Magnus Carlsson - Möt Mig I Gamla Stan 



The only Melodifestivalen track this year that I bother still listening to, and the only schlager song in the competition. Magnus always delivers the goods.

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Monday, November 09, 2015

Brown Eyed Girls - Brave New World + Warm Hole


I can't pick between these two videos today. K-Pop royalty Brown Eyed Girls came back with a new album last week. It's mostly very boring, except for these two brilliant singles. They're very different from each other, despite both being throwback in sound. Brave New World is intense and experimental, with a disco string section seemingly lifted straight out of Michael Jackson's Don't Stop Til You Get Enough. The trippy, fierce video is one of the year's best. Warm Hole, on the other hand, (and yes that's the actual title) is full-on 60's striptease, with a hilarious (very unsubtle) video. I'd argue that its hook is even stronger than Brave New World's, even if it is understandably a more lightweight track. Taken as a duo, these two songs are an incredible end-of-the-year push for a group that had every right to rest on their laurels and rely on their name instead of continuing to push boundaries. It's just a shame that the rest of the album isn't as strong.



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