Jason Derulo - Want To Want Me

So where did this come from? I mean, I hardly ever post tracks by mainstream U.S. artists anymore, mostly because I think most of them kind of suck. But then I hear this song from Jason Derulo of all people, and every last second of it screams Summer Anthem. It's actually pretty impressive that Derulo has been able to maintain his star power for a pretty long while, even if it is with crap like Talk Dirty. It's more impressive still that he decided to release something so unabashedly old-school pop when he could have just rehashed what's made him successful over the past few years. Want To Want Me is a propulsive, singalong dance song that borrows from Prince and Michael Jackson and every other great funk/dance artist of seventies onward. In that way, it's nearly a pastiche. But pastiche or not, it's that damn catchy chorus that kills each time. I'm surprised at how much I love it.



(Music posted for evaluation purposes only. Buy the single here. Follow me on twitter and facebook.

Pop Blitz 1/26/12

Santigold - Big Mouth
This definitely has some bonkers M.I.A. influence to it. I like the production (especially that frenetic hook), but I wish there was a little more focus on melody. Still, a promising return. B

Alexandra Burke - Elephant
I would have never expected such a lush, electronic sound from Burke. It's a pleasant diversion from the more straightforward pop of her debut. In fact, it doesn't sound anything like her. She's following trends, but this totally works. A-

Lana Del Rey - Born To Die
Lana's not the easiest artist to love, and the verdict's out on her album, but I really enjoy her singles. This has an epic atmosphere, though it's really pretty subdued. I love the hip-hop elements of the production and the melody's quite haunting and memorable in its simplicity. A

Chris Brown - Turn Up The Music
It's no surprise that he's continued to explore the clubby side of his music after his success in that genre, but unfortunately this isn't quite as strong melodically as past singles. Not bad, but not particularly memorable either. B-

Emeli Sande - Next To Me
Emeli's certainly going for the more serious side of pop music. This isn't particularly fun or innovative, but the melody's nice enough. Still, I can't say that this track would warrant my undivided attention if it came on the radio. It's pleasant. B-

Kelly Clarkson - What Doesn't Kill You (Stronger)
To me, this is Clarkson-by-numbers. I like Kelly's music, but I have trouble picking this one out of the crowd. It's anthemic, yeah, but the melody feels recycled. It sounds like the commercial to some reality show. C+

Jason Derulo - Breathing
Shania Twain recorded a song a few years back with almost the same lyrics in the chorus. That's the thing about Derulo. Nothing ever feels new. He samples in nearly every single and the sample here (is it a sample?) is by far the best part. In other words, the parts where he's not singing are awesome. The rest... not so much. C+

Your Choice: What's your favorite Pop Blitz song this week?

Pop Blitz 1/26/12 Your Choice!

Santigold - Big MouthAlexandra Burke - ElephantLana Del Rey - Born To DieChris Brown - Turn Up The MusicEmeli Sande - Next To MeKelly Clarkson - What Doesn't Kill You (Stronger)Jason Derulo - Breathing

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Pop Blitz 12/8/11

Flo-Rida - Good Feeling
The sample used in this track is an interesting sidestep for Flo-Rida. After that, it's pretty much what you'd expect. Still, for the sample, this deserves at least a solid B

Rebecca Ferguson - Nothing's Real But Love
The song's about as sleepy as I'd expect from this X-Factor runner-up. It's better than Cardle's debut, but nothing I'd listen to regularly (or remember in a year's time). C+

Jason Derulo - Fight For You
What is it up with this guy and samples? I'm sorry, but you don't touch Toto's Africa. This is about 0.000002% as good as the original. D

Avicii - Levels
Where have I heard this before? Ah, yes... two tracks ago with Flo-Rida's song. Yeah, this is the track he sampled (stole?). It's about as good here as it was there. Nothing revolutionary, but pleasant. B

Kelly Rowland - Down For Whatever
Rowland continues with her successful club sound. It's not as good as her prior singles, but this is definitely the genre she should be recording in. I just wish the melody was a little more inventive. B-

Justin Bieber - Mistletoe
It's not easy to write an original Christmas song. This is far from a trainwreck, but it's still pretty stupid. Luckily, it's too damn catchy to dismiss entirely. B-

Jessie J - Domino
I'm no fan of this girl, but this is at least one of her better singles. I would've preferred it sung by someone like Katy Perry. Still, it's solid radio fodder. B

Your Choice: What's your favorite Pop Blitz song this week?

Pop Blitz 12/8/11 Your Choice!

Flo-Rida - Good FeelingRebecca Ferguson - Nothing's Real But LoveJason Derulo - Fight For YouAvicii - LevelsKelly Rowland - Down For WhateverJustin Bieber - MistletoeJessie J - Domino

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Pop Blitz 9/29/11

Kelly Clarkson - Mr. Know It All
It's a breezy return for Clarkson, and this song goes down real easy. I'm actually surprised how much I like it. Her vocals sound so amazing on the chorus. A-

The Wanted - Lightning
I love this melodically, but I can't help but feel that there's a little something missing in the production. Even so, this easily keeps up their run of brilliant pop singles. B+

Rihanna - We Found Love
It's another big hit, and a new venture into a very European sound. Thank Calvin Harris, whose production is gonna sound very fresh in the US (even though it's getting pretty stale worldwide). Still, this is more anthemic than she's sounded in awhile. A-

Jason Derulo - It Girl
I like how everyone's jumping on the whistle craze now that Maroon 5 have found such success with it. Unfortunately, the whistling is by far the best part of this forgettable slow jam. C+

Bruno Mars - It Will Rain
It's an odd choice for a Twilight soundtrack, for sure. For me, his singles have either been amazing or dire so far. This is oddly somewhere in the middle. Certainly not bad, but it doesn't have that "wow" factor, either. B-

Pixie Lott - All About Tonight
If she's looking for a US career, she would be wise to offer this as her opening salvo. It never breaks away from trendiness, but it's her catchiest single to date by a mile. B

B.O.B. - Strange Clouds (ft. Lil' Wayne)
A lot's riding on this comeback single. It's certainly not the crossover hit he needs for pop radio, but it's not hideously mediocre either. It's a little Tinie Tempah-esque, except not as good. C+

Your Choice: What's your favorite Pop Blitz song this week?

Pop Blitz 9/29/11 Your Choice!

Kelly Clarkson - Mr. Know It AllThe Wanted - LightningRihanna - We Found LoveJason Derulo - It GirlBruno Mars - It Will RainPixie Lott - All About TonightB.O.B. - Strange Clouds (ft. Lil' Wayne)

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Pop Blitz 6/17/11

Black Eyed Peas - Don't Stop The Party
I'm not sure that BEP has released any singles from this latest album that I've liked. This definitely doesn't break the pattern. It's not as irritating as a few of the others, but it's not as effortlessly catchy as their best work. The production's better than the hooks. C-

Selena Gomez & The Scene - Bang Bang Bang
Not technically a single (just a promo release), but I wanted to include it because I (surprisingly) have really fallen for this song. It's like a tween version of La Roux's Bulletproof. I LOVE the synth production and the general laid-back coolness of this. She's growing up! A-

Nicole Scherzinger - Right There (ft. 50 Cent)
It's not up there with the prior two singles (particularly the brilliant Don't Hold Your Breath), and I hate the unnecessary 50 Cent feature, but this has grown on me. I like the hook, and that's about it. Problem is, it doesn't have much of an impact when all's said and done. B-

Eric Saade - Hearts In The Air (ft. J-Son)
It's not as strong as Popular, but this is still a decent follow-up. The verses are better than the chorus (which sounds a little too familiar). It's enough to get me excited for the album, though. B+

Shania Twain - Today Is Your Day
It is so GOOD to hear Shania again. This gets instantly higher marks just for that. The song itself is pretty underwhelming... not one of her better ballads. But she sounds great and there's a catchy guitar hook buried somewhere in here. B

Jason Derulo - Don't Wanna Go Home
This is probably the most important single for him as far as longevity is concerned. The multiple samples used make this more of a hodgepodge than an actual original song, but the production's reliably glossy. I think the jury's out. All this has done is confused me. B-

Cher Lloyd - Swagger Jagger
Oh, how I loved Cher Lloyd in X-Factor last year. However, this track is all of her worst tendencies thrown into one song. Whereas I'm not sure about the Jason Derulo song, the sample here (Oh My Darling Clementine? Really??) does not work at all. What the hell did they do to her? D+

Track-by-Track: Jason Derulo

As soon as Chris Brown's Forever hit it big, I knew that the same swooshy, synthy r&b sound would be ubiquitous in years to come. Now Jason Derulo's made an entire album of the stuff, and despite being pretty concise compared to other albums of this genre, it's certainly a mixed bag.

1. Whatcha Say - It's hard to accurately review this, since so much (aka: the best part) is borrowed from the Imogen Heap song. Without the lengthy sample, this would be pretty boring. Luckily, the hook transforms this into something better. Annoyingly, this begins the trend of Jason singing his name over the beginning of almost every track. 8/10

2. Ridin' Solo - Autotune to the max! Beyond that, though, the uptempo hook is ridiculously catchy. The verses less so. His voice sounds so strange here, but it gets high marks for that chorus. 7/10

3. In My Head - The second single, and one of the strongest tracks on the album. It's derivative in so many ways and sounds like so much already out there, but the melody is dangerously catchy. 8/10

4. The Sky's The Limit - This adheres to that Forever sound I mentioned earlier. Swooping atmospheric synths build up to a chorus that should be stronger than it is. Still, I'm happy to see another reasonably strong uptempo. 7/10

5. What If - Beginning with a ridiculously dramatic spoken intro, this is where the album takes a potentially dangerous turn into the banal. It's an average r&b ballad with one catchy bit in the chorus. Otherwise, completely forgettable and too overproduced for its own good. 5/10

6. Love Hangover - Thankfully, we're back to uptempo territory here. This is really pretty fantastic... probably my favorite track on the album. Everything works here. It's a great combo of dance/synth elements and straightforward r&b. 9/10

7. Encore - The last strong(ish) track of the album (though it begins with him singing is name again). His vocals are pretty strong here and I love the drums in the verses. The chorus is less than spectacular, though, which stops this from being a standout. 6/10

8. Fallen - Boring stuff. The lyrics are stupid and the melody goes nowhere. It's instantly forgettable. 4/10

9. Blind - A big ballad to end the (short) album, and it's nothing to write home about. The chorus is a letdown, yet again. It just stops the song from going anywhere. 4/10

Album Grade: 6.4/10

Pop Blitz 2/3/10

Marina & The Diamonds - Hollywood
I'm still not entirely in love with Marina's voice, though that's more of a personal thing. However, the song's quite nice. Subtle in a way... it doesn't really hit you over the head the first time. It's a real grower. Hopefully that means longevity. B+

Lady Antebellum - Need You Now
I'm not a country fan but I can see why this is taking America by storm right now. Somehow it sounds more like a big 80's ballad than anything. There's nothing like it on the radio right now. Very pretty. A-

Jedward - Under Pressure (Ice Ice Baby) (ft. Vanilla Ice)
I'd probably hate this if I hadn't followed John & Edward on X-Factor. As it stands, it's a super fun slice of novelty pop. And it does the impossible: makes Vanilla Ice tolerable! B+

Pink - Glitter In The Air
Her performance at the Grammys catapulted this non-single to hit status and unearthed a buried gem. It's one of her most delicate ballads. Reminds me of the late 90's. A-

Black Eyed Peas - Imma Be
This is absolute crap, and represents the worst side of BEP. It's not a song. It's noise. The military could use it to drive Bin Laden out of hiding. F

Iyaz - Solo
Horrible. Basically, he took a classic song, changed the lyrics and sang it horribly. I can't believe that something like this could even be deemed radio-worthy. D-

Jason Derulo - In My Head
Maybe he won't be a one hit wonder, after all. This sounds a hell of a lot like Chris Brown, and possesses exactly 0% originality, but it's pretty catchy. Could've been a LOT worse. B